The fable which could come to my mind after the listening of the very first seconds of this collaborative release, performed and recorded by this strong quartet of improvisers in the cine-theatre Curvo-Semedo in the Portuguese town of Montemor-o-Novo could be one from Kipling's "The Jungle Books" due to the bizarre sounds produced by Axel Doerner's trumpet and Ernesto Rodrigues' viola, which could let the listener's think about a chorus of animal cries, but the sound gradually becomes more amalgamated and somewhat venturesome by means of occasional, but incisive guitar clutches by Abdul Moimeme, and computer filtering, sonic thumbnail sketches by Riccardo Guerreiro and kinky mutations of original sound of each instrument - appearances of each instrument have never been so deceptive! - so that it seems that it chips into multiple rivulets which crumbles the barriers between musicians and listeners as well as the ones between sense organs and environment. Stuart Broomer's quotation of Plato's "Republic" when the great Greek philosopher wrote "When the mode of the music changes, the walls of the city will tremble" while speaking about the political importance of music and the cogent description of the above-mentioned erosive process, which this combo manages to sparkle off little by little, in the linear notes totally recall any moment of this magnificently atmospheric proof of collectively performed improvisational aesthetics as well as its inner dynamics.