Some sonic wormholes and burrs together with hourse springing, odd hiccups, metallic tool grinding and scratches before turning into a searing swirl of white noises, grim dissonances, thudding rolling and squabbling knocks and squeks of the initial long-lasting track "Petiole" limber the listener up for the bizarre experience offered by guitarist Olivier Dumont, who turns his instrument into a percussive and scenic element, and percussionist Rodolphe Loubatiere, who seems to head the collection of sketches of the following "Nervure", which sounds like a collection of many possible strategies to fray guitar strings when they reach some peaks of tautness whereas it acquires very strange tones - guitar often sounds like squawking or strangling itself -. The final and longest recording session, "Limbe", sounds a little bit more well-structures and cinematic than previous ones and beyond hard rubbing, metal and wood rumming and occasional rumpus, you could have the impression they're representing the awkward bustling for the almost desperate repair of an handloom or a music box. Even if it cannot be filed under easy-listening, "Nervure" could disclose many amazing moments for your eardrums.