Sinister tolls, electronic buzzes and distant spourts, sudden puffs and suppurations, piercing synthesizer shrieking, metallic hits, screaming tones of violin and hardingfele (a sort of Scandinavian fiddle), obsessive pulses and sting sonic wedges thiken the pitch dark where obscure piano fragments difficultly try to draw melodic lines over this 29-minutes lasting one track album, wisely titled "Veiled", by this unknown Argentinian trio made up of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects and electronics) and Samuel Sahlieh (synthesizer, electric bass guitar and tapes). It's difficult to say if such a title refers to the fact they were performing different scores which tried to reciprocally mask through mutual interaction, even if you could think about some Morton Feldman piece (for some strange reason, my listening memory focused on "For Bunita Marcus" while listening to the occasional piano sprays by Elgier) randomly mixed with some noisy stuff by John Cage after electrolysis, but the path till the final highly nervous saturation point is so catchy that any attempt of association with other stuff is going to appear an unuseful waste of time.