Music Reviews

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Artist: Hildur Gudnadottir (@)
Title: Leyfdu ljosinu
Format: CD
Label: Touch (@)
Rated: *****
Recorded live at the Music Research Centre of York University by Tony Myatt last January, by means of a Sounfield ST450 Ambisonic microphone and two Neumann U87 microphones, with no audience and above all with no post-production, this 40-minute lasting release by talented Icelandic cellist and singer Hildur Gudnadottir stands like an act of devotion to her musical vision, merged during her career into many artistic felloships - she's a permanent member of Mum since "Go Go Smear The Poison Ivy" and she could boast about important collaborations with Throbbing Gristle, Hauschka and Pan Sonic -. After 5 minutes of tuning in Prelude, starting with a do (C) on cello and various harmonic flexing, and the beginning of her entrancing vocal mantra, which becomes ethereal and hypnotical thanks to vocal overlapping, "Leyfdu ljosinu" (Icelandic for "Allow The Light") transforms into an authentic sonic theophany whereas there's a cyclic alternation of empty spaces close to silence and sonic saturations and the performer looks like a medium experiencing and translating of the divine, a purpose she manages to reach by overloading ths onic space with an increasing metaphysical tension, which immediately grabs the listener, who could experience a weightless-like feeling of suspense. Little by little, cello and additional arches sounds like expanding like clouds, and such an expansion looks like unstoppable and endless even when bow-strings sound like stretched to the limit and amplify tension and overwhelming catharsis, according to an ascending movement which could remind the sonorities of records like the collaboration between Sigur Ros and Hilmar Orn Hilmarsson for the soundtrack of "Angels of the universe" or Zoe Keating's soundtracks. Highly recommended!



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