This bridge built between two labels on the opposite sides of Atlantic ocean (Sebastian's London-based Robot Elephant and Ben's Oakland-based Tundra Dubs), which shares similar policies and do-it-yourself ethics, seems to rest on that phenomenon known as "witch house" or "drag", a bizarre name coined by Pictureplane referred to a sort of homemade music with references to occultism, whose main influences are a number of industrial and goth bands, but which is normally intertwined with a plenty of styles. This compilation has been splitted in two and includes many interesting declensions of "witch house": the most interesting stuff of the first half, the one which has been filled with Robot Elephant's trumpets, are related to forthcoming releases of the label, in particular Romanian HipDieBattery's "Bones", which sounds recorded during a Sabbath whose partakers put good dub and techno recipes together with dragon's claws and dwarf's guts in the cauldron, and Ourobonic Plague's "The Outer Alphabet", whose obscure nuances and ill-hop phat bumping could let imagine some devilish creature's foghorn possessed a mic to climb hip-hop charts, but also The Church of Synth's "Geh Ins Licht" dubstep imbued with Eurotrance typical trumpets is quite nice, while the most remarkable episodes on the second half are the ones by Funerals, a husband/wife duo from Columbus (Ohio), whose gloomy atmospheres could recall some shadowy trip-hop songs and the anxiety of musical acts such as Tricky's "Pre-Millenium Tension", Mascara's assemblage on "Sonnambula", which looks like a melting pot of elements taken from Sabres Of Paradise, Militia and G.O.L. and sticky minimal dubtech in "Korby Bryers" by Grimm Soundsystem, a freak by Tundra Dubs' owner itself.