Music Reviews
Dec 23 2011
Artist: Fractured (@)
Title: Beneath The Ashes
Format: CD
Label: Metropolis Records (@)
Distributor: Industrial Music
Rated:



Title: Beneath The Ashes
Format: CD
Label: Metropolis Records (@)
Distributor: Industrial Music
Rated:
What have we waited for this? More than five years after the brilliant second album 'Only Human Remains' of this Canadian Electro/Industrial-project, Mastermind Nick Gorman starts his long awaited comeback with this all new album entitled 'Beneath The Ashes'. And it starts, where 'Only Human Remains' has stopped. The opening track 'Beneath The Ashes' represents Nick's sense for perfect inserted synthesizer-pads, searching for their mutual, smooth path with the integrated acoustic guitar loops. That the last five years haven't left Mr. Gorman unaffected, well, that I had to learn with the next tracks. Especially 'You Are (The Voice Inside My Head)' with Nick's natural sounding voice and a nearly singing-along-the-parts-like chorus are turning this track dangerously near to the Synthpop-genre ' but thumbs up for this 'experiment', which turns to be out quite assessable. Not to forget to mention, that Nick relies again on the talent of some long-years' comrades like the brilliant spoken-word-artist Squid a.k.a. It-Clings ('Transcendental Rage For The Fundamentals'), or M@ of Encephalon ('Anesthetic'). Haunting Industrial-Metal guitar-loops are nowadays also an 'allowed' weapon to express some his tracks, 'Save Me' starts it, 'We Bare These Scars' highlights it. Finally 'Disengage' is again a witness specially dedicated to the more classic Dark Electro-audience. 'Beneath The Ashes' is definitely the more matured work of Nick Gorman compared to the predecessor, although this means, that Nick has intentionally developed a bit away from that haunting, classic Dark Electro-stuff, with which he has grown up. That isn't a negative point, because Nick proves to write more personal songs with better compositional skills. If it then turns out with tracks like 'You Are (The Voice Inside My Head)' to enter the bastion Synth-/Electropop, then I agree, since this helps Nick to be better recognized. Not to forget, that he has started nearly from scratch again, because most of the younger listeners are hardly able to remember an album released in 2005 due to our stress-driven life-times. Thumb up for this good and well-produced Electro-/Industrial album.
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