Music Reviews

Title: 50 ballets
Format: CD
Label: Creative Sources (@)
Rated: *****
Drums and percussion plus drums and percussion equals... a percussive recording and you don’t have to be a genius to imagine the result, but wait, it’s hard to believe how good this record sounds if you haven’t given it the careful listening it requires. I’ve no doubt this’ one of the best Creative Sources releases I’ve heard so far: I love rhythm session but I’m also aware of the fact many percussive duos coming from the impro-jazz area are boring as fuck, well this pair is beautifully assorted and I really enjoyed their way of improvising, the how they play the waiting game and how they go straight to the next intersection. I’ve several "solo percussion" releases in my collection and have heard some more, this one is more "old school" if compared to the free-rock style of drummers like David Shea, but it’s also considerably different from that of Han Bennik, I think this drumming duo has its strong personality and that’s the most fascinating part of it. When dealing with an all percussive recording the risk is to get bored in a split second but Field’s and Babel’s journey bring them through many changes of intensity, dynamics and timber. Their approach to drumming tecniques is elegant but what makes this release more interesting then many other similar works is the attention the duo pays to the track construction: they pass from quiet parts or smoothly played solutions to "free-jazz-rock" eruptions but they work in a really complementary way so to avoid sounding simply chaotic. The recording and the spatialization of the drums helps a lot since as I’ve said they’re able to produce an incredible variety of sounds and sometimes you really feel like you’re standing in the middle of the room where the improvisative dialogue happened. Nice.

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