I truly feel awful for reviewing Punck's last year full length only now, also because it's been in constant rotation (...) in my stereo for all these months. Life problems and taking one's time eventually lead to these disasters... "A Constant Migration" is surely the best and most mature release of Adriano Zanni's as of yet - following the wake of his previous "Nowhere Campfire Tapes", but taking his soundscapes to a higher level (and that was a good album, mind it). I suppose that playing live sets has contributed to refine his tecniques and give a smoother, more organic feel to his compositions. As usual, Zanni uses "laptop, field recordings, found sound and sampling", and the result can be compared to the works of Seth Nehil, jgrznich, Dave Lloyd and mnortham. Highly refined concrete music where natural and electronic sounds are stretched and layered into drones, or scattered around as in an improvised session (which could explain why this has been released on Creative Sources). Zanni's audio-trip stands out from similar ones for the warmer, more emotional (existentialist, I wrote about his previous cd) approach to soundmaking, here leading to the breathtaking closure of "Hagakure [II, 105]", a powerful high-end drone streaked by bowed strings. This cd was mastered by Hue (Sparkle in Grey), which totally makes sense: take it as a comrade to "Un'estate senza pioggia", at least in terms of attitude.