Music Reviews

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Artist: Anma
Title: Batch 0012
Format: 12" vinyl + Download
Label: SM-LL
The bold branding- if you can call it branding- of the SM-LL label is getting progressively more homogeneous as it evolves. Already establishing a rule where all the artwork is plain black (yes that’s not a technical error in the thumbnail above), and with releases that are numbered rather than named, their press releases now consist solely of alphabetised hashtags. They’ve also announced that from next year, they will no longer even be including artist names on their releases- the entire thing will be anonymous, unless an artist breaks ranks and takes credit for any of it.

At times it feels like this affords the artists freedom, to experiment or express sonics without any word association or accompanying imagery. At other times it feels like a disservice, robbing each release from grabbing your attention or drawing you in with its own identity.

So in the third paragraph I finally get to talk about the music. This is a series of eight (or just six if you buy the vinyl) out-of-sequence-numbered layered sets of analogue oscillation and arpeggiation meanders. Bubbly bleeps and off-count repeating patterns are the order of the day. Around this, higher pitched atmospherics and electronic glitter provide a gentle, less-is-more approach to decoration. Curt sub-bass thrubs and throbs sometimes gently imitate techno kicks without ever pushing into that genre. It’s rough-hewn at times, littered with clicks, but this seems to add to the warmth.

“Harm Osc 5” is an example of one of the steadier tracks, a gentle walking pace number whose flatness is its virtue, while “Harm Osc 6” is an example of one of the more off-kilter, time-unpredictable arrangements that keeps things firmly cerebral rather than foot-tapping.

Favourites for me included the slightly more uptempo alt-techno of “Harm Osc 8”, and the gloriously awkward “Harm Osc 9” with its counting-challenge pulsing and tinnitus squeal. The soft, theremin-like melodic expression that crops up in final track “Harm Osc 2” is a curious sonic salve and an endearing way to wrap up.

This is a form of analogue proto-techno that goes simple and goes deep, very deep indeed. But if you’re prepared for a deep dive into a thinking person’s bass noise, turn this up loud.



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