Music Reviews

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Artist: Hermetic Brotherhood of Lux-Or
Title: Sex and Dead Cities
Format: 12" vinyl + Download
Label: Boring Machines
This eighth album from the duo of Laura Dem and MSMiroslaw is more ‘Dead Cities’ than it is ‘Sex’. Predominantly it’s a rich hybrid of thick atmospheric rumbles and drones with muted and distant-sounding reverb-laden slow percussive rhythms, a mixture of acoustic and synthetic that’s so thoroughly effect-washed that origination starts becoming irrelevant. Rather than the sound of a dead city, it’s generally quite busy, with these soundscapes throbbing to sounds of distant machinery and conversation.

After a mostly ambient humming opener “To Die In A Decayed Country”, the sex of the title appears suddenly in “River Flows From Incinerator”, a plaintive slow pulsing drone spontaneously interrupted by orgy sounds that disappear as quickly as they arrive, resulting in one of the strangest breakdowns I’ve ever heard.

At times this release even recalls the Future Sound Of London track “Dead Cities” as well, but darker- most notably in “Ruins And Shell Casings”, but also throughout.

“Seven Minutes Of Nausea” is not unfairly named, but it’s also not unbearable. It brings in woozier tonal shifts and more rapid fluctuations onto the established patterns in order to raise the discomfort level towards, but not over, the edge of bearability. It’s quite discombobulating. As it fades, it leaves just looped thumping industrial hits behind, which follow nicely into repetitive and angsty final track “Fear Of The Living” which feels like a call to arms- or a clarion call for zombies.

It’s a strong, tightly packed 34 minute package of post-industrial darkness and contemplative wallowing, a thick aural body scrub that’s oddly refreshing.



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