Music Reviews

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Artist: Daniele Bogon (@)
Title: 17 Encores
Format: CD
Label: New Model Label (@)
Rated: *****
The perturbed pads and the rising dissonant electrical interference of the opening "Ex Nihilo" are the sparkling aural events of this interesting album by Padua-born sound artist and academically trained musician Daniele Bogon, named after the already published album "17" in the guise of Alley and including the 10 tracks of this first output plus five additional tracks. Some of Bogon's musical background composition is manifested over the whole album, as on the following "Piano Song #177" - aptly intimate piano melody, that sounds perfect to follow the maidenly intro -, the intimately touchingintertwine of an imperfect minimal piano (recorded through close-mic), pads and brass of "The Tide" or on "Opono No Piano", whose piano elongations - recalling a piano refrain on Sebastian Tellier's "Le Ritournelle" or some moments of oldest compositions of other minimalists like Max Richter or Arturo Stalteri - closes the first part of the album, the one that retraces the tracks of the above-mentioned original release. By the way, I'm pretty sure that what is going to hit listener's eardrums more prominently are Bogon's electronic artifacts since the blurred fragments of conversation and the evoked a vague sense of bewilderment of "Airport" (far away from the known Brian Eno's sound in spite of the dry piano melody could sound 'Enoesque') or the harsh electromechanical spasms of "Insectx" - something closest to that branch of techno known as rhythmic noise -. Some tracks in the second part for some mysterious reason are somehow faltering, but what really hits in Bogon's music is the dangerous riding on a wire between anxiety and a sort of artificial calm, that he often translates into a sort of unstable stylistic balance between electronic ambient and typical OST music ("Wolverine", "Batman is Bruce Wayne"), that often embraces unconventional strategies in many moments of the second (previously unreleased) part.



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