Music Reviews

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Artist: François Bonnet & Stephen O’Malley
Title: Cylene
Format: 12" vinyl + Download
Label: Editions Mego
Stephen O’Malley’s guitar work here is very recognisable from his work in Sunn O)))- long, cavernous, reverb-and-effect laden sustains describing a series of cavernous, hollow, barren yet somehow darkly peaceful environments. Francois J. Bonnet is the studio re-worker, the producer, but despite having his name credited first, it does like Bonnet has adopted a very subtle, less-is-more approach to the studio post-manipulation, allowing the plaintive guitar work acres of respect and calm. Synth pad and environmental elements are subtle, and have a very strong synergy to the guitar work that makes them sometimes border on the unnoticeable.

Bluntly, for most of this work it feels like there is more variation in the track lengths than there is in the tracks themselves. Lengthy and mesmerisingly simple pieces like thirteen-minute “Pahoehoe” have the same sonic quality as the shorter sketches like three-minute “Premiere noire”, but simply for more time, dim though that may sound. And while that may sound like a criticism, if you want to approach this album to enjoy the value of its soporific stillness, it becomes a virtue.

It would be unfair to say there’s no variation, of course. For example “Tephras”’s wind tones add an extra haunting element, while the reverb dips a little deeper into the realm of an alien foghorn, and this flows fluidly into the more atmosphere-led “Dernieres teintes noires” where the guitar itself is less distinct and the after-effects of it explored further. The opening of fifteen-minute final piece “Des pas dans les cendres” is the album’s softest section, the soft pads sounding almost synth-choral, before unfolding into the warmest and most velvety of conclusions.

It’s reliable and deeply atmospheric guitar-drone that will certainly appeal to existing Sunn O))) fans, but which shouldn’t really feel like it has travelled anywhere new.



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