Music Reviews

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Artist: Ophir Ilzetzki
Title: Symphony No. 1
Format: Tape
Label: False Industries
Refreshingly, Ophir Ilzetzki is very open about the fact that “Symphony No. 1” is an intuitive composition, not affiliated with any deep underlying theory or concept, at least not consciously. Instead it’s a collection of four long works in which Ilzetzki expresses a variety of emotions through the medium of electronic composition- drone, oscillation, electric hum, fuzz, rumble, whirr, click. The result is not technically symphonic, by the book, but it’s realised on a broad scale with raw emotion that makes the name somehow fitting nevertheless.

“God Sent” is a series of introspective hum notes that sets a fairly minimalist tone with confidence. “Emma Carmel” feels a little more theatrical and impulsive-driven, making solid use of what I think may be low vocal noises howled round into incomprehension, as though we were listening to a slowly told incomprehensible story from inside a robot womb.

“To Heal With Blood” is initially much angier, opening with shifting noise wall built from quite grating motor-like noises, but surprises you by calming down promptly, remaining tense but more sinister rather than aggressive, revolvingly slowly round a rhythmic throb. 22-minute-long final piece “Of No Input” has a similar pulse at its heart, but delves deeper and lower and sparser in its approach, at times bordering on inaudible, yielding again comparisons with a womb scenario and the mysterious ever-present heartbeat you would hear. As it unfolds, this pulse somehow transforms into a more rapid, again motor-like affair, before escalating back into a sonic wall for a finale.

Despite being called “Symphony No. 1” this is far from the composer’s first work. He has been composing pieces for two decades, predominantly for more traditional instrumental ensembles- but this appears to be his first foray into pure stripped-down electronic work, and I would definitely regard it as a success.



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