Music Reviews

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Artist: This Is What I Hear When You Talk
Title: I Really Want Brett To Like This, But He Probably Won't
Format: 3" MiniCD
Label: Inner Demons Records
Rated: *****
This Is What I Hear When You Talk is the harsh noise wall project of Dan Fox, the driving force behind the Inner Demons label who also records under the names Loss, FFI Digital, Fail, and a host of ever-expanding projects. I have reviewed a few discs for Chain D.L.K. under this name, which gets us to the title. First off, let it not be said that all of the people recording in the HNW scene take themselves too seriously. I laughed heartily when I saw this disc because I am the Brett he is talking about. The title is a reference to a review I had done of one of his discs under this moniker that I wasn’t really into. That particular release was a bit too static for my tastes. I like some variety in my noise, and that release just didn’t seem to go anywhere. Now that we have that disclosure out of the way, let’s get into the disc itself and get to the burning question on your mind, considering the title of the disc: “did he like it?” The answer is yes, I did. This is comprised of four 5-minute tracks that each function as a series of exercises in repetition, but there is much more going on then 20 minutes of white noise. It was either Friedrich Nietzsche or Gloria Estefan who said “the rhythm is gonna get you,” and that plays out here, as rhythm plays an integral part in each of these compositions and functions as the thread that ties all of these tracks together. "I" starts us off with stuttering feedback and hum, that keeps things moving along. You keep waiting for the feedback to overpower the track, but it keeps being pushed down by the staccato static. "II" brings to mind an off-kilter machine trundling away in a factory. Just as you settle into the track, it shifts gears once again and we move into "III," a rhythmic track that starts to mess with your head over time. Unlike the previous tracks, this is not a percussive beat, but rather a syncopation in the sawtooth waves that gives a sense of movement. Still, as you listen you could swear that things are shifting ever so slightly, even as the rhythm reminds you that you are still swaying to the same dissonant beat. "IV" closes the disc with a nice grinding slab of crackling noise. Once again, there is a rhythm buried in the layers of static. Overall, if you have found HNW to be too boring, this disc avoids those pitfalls, while retaining the repetitiveness that many find soothing. Well worth checking out. This disc weighs in at 20 minutes.



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