Music Reviews

cover
Artist: DJ Haram
Title: Grace
Format: 12" vinyl + Download
Label: Hyperdub
DJ Haram is a DIY musical producer based in the US, but it’s her Middle Eastern roots that come to the fore extensively on this unusual EP. Using organic flute and exotic percussion sounds, she has crafted 27 minutes of mostly instrumental music that has the structure of modern digital dancehall, and sometimes grime, but from a sound palette that jams brand new with traditional effortlessly. The track “Interlude”, which isn’t really an interlude at all, exemplifies it succinctly.

“Gemini Rising”’s heavy percussion and tense synth bass notes give it a higher tension level than some of the more playful tracks around it. “Body Count”, despite starting with samples of guns being cocked, ends up being one of the mellowest sections, with soft harp-like chords lolling nicely over the complex and gently danceable rhythm.

Mixing things up at the mid point, “Candle Light” has a vocal version, with Moor Mother (who DJ Haram also collaborates with as a duo 700 Bliss) offering up a sympathetic and nicely offbeat rap that rolls over the more grime-like track very smartly. In the unlikely event that the vocal doesn’t tick your boxes, an instrumental is provided.

To wrap up the release there’s a short remix of opening track “No Idol” which builds on a rhythm that’s mostly handdrums and playfully triggered samples of bedsprings that borders on tongue-in-cheek, but which really works, and which would likely get received well by DJ’s skilled enough to work it into sets.

The DIY aesthetic makes some of the synth work sound a little weedy and lo-fi at times, like a demo or a field recording, but that ends up being part of the unique character and charm of a release that’s broadly in a genre where subbass normally runs rampant.

There’s a rich encompassing theme that forms a story behind this release- every track is represented by a character in the artwork, all part of a small mythological world invented by DJ Haram and in which she draws parallels with her real life experience but also draws from religious tales of angels and creatures. It’s an interesting context, for sure, but given the mostly instrumental nature of the release, it’s not an essential or immersive part of it. Musically though it certainly stands up in its own right, a fascinating hybrid of sounds and cultures with an energy and originality that’s nicely infectious.



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