Music Reviews

Artist: VV.AA.
Title: Sea-Watch
Format: Download Only (MP3 + Lossless)
Label: Shameless
This is a charity record, with all proceeds from the downloads going to Sea-Watch. To copy-and-paste what’s in front of me, “Sea-Watch is a non-profit organization that conducts civil search and rescue operations in the Mediterranean Sea. Politically and religiously independent Sea-Watch is financed solely through donations.” There is absolutely no denying that the dangers of cross-water migration causing so many lost lives in the Mediterranean is a worthy cause, and frankly, even if the music being sold here were absolutely terrible, I would still tell you to go and buy it in order to contribute to the cause on a ‘name your price’ basis.

It’s a bonus, then, that the music is not terrible at all. Eight artists have each contributed thoughtful standalone pieces of mostly-instrumental, mostly-electronica. Given the Sea-Watch theme, of course this is sincere downtempo music and not party time, but as a 46-pack of brooding modern music, it’s really rich. It feels like some acts have seen it as a chance to put out tracks that may not fit into their own longer releases, with interesting results.

It starts fairly accessibly. Julian Lars Gosper’s “44,448” has a somewhat underwater feel to it in its atmospherics, which does feel like it borders on the inappropriate, but that’s just quibbling. Boris Hauf’s “On The Pulse Of Morning” sets a long Maya Angelou speech respectfully centred in a thick atmospheric soup. It also ends in gentle fashion, with Superposition’s slightly trip-hoppy piano-driven “Peak Data” giving quite a cinematic and high-quality flavour.

It’s not all electronica though, and “African Flower” from These Things Happen is pure sax-led melancholic jazz, sitting somewhere between lounge and avantgarde for a curious and captivating tone, while Didi Kern & Philipp Quehenberger’s “Hope” has the slow laborious plod of noise-rock, but coupled with tuned atmospheric pad melodies that make it a much more interesting beast.

Neither is it all accessible easy listening. The wilfully inappropriately named “Classic Rock” from Brent Gutzeit is a five-and-a-half minute workout in complex glitch, taking some jazzy source elements and twisting them in a heavy-handed manner until it almost sounds like raw data. It runs smoothly into Steve Heather’s “Exposed Jerry” which is sonically not dissimilar but which grows around an enjoyably awkward rhythm abstract. Boris Hauf’s second appearance on the compilation is in a collaboration with Max McCormick on the unusually textures “Port”, littering processed found sounds over a relentless engine-like click rhythm in a manner that I’d describe as dub music’s estranged electronic second cousin, who has a mental breakdown towards the end.

You should be giving to this charity, you know you should. The convenience of this Bandcamp method, plus the fact you get eight really interesting Shameless tracks into the bargain, means you should do it by buying this.

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