Music Reviews

Artist: Shohei Amimori
Title: PataMusic
Format: CD + Download
Label: Noble
Tokyo-based Shohei Amimori’s “PataMusic” is a bright and often bonkers hour of twisted, everything-but-the-kitchen-sink weird-pop. It channels all sorts of influences, from the energy of J-pop, the quirky Matthew Herbert or Art Of Noise-esque joys of found sound as instrumentation, and the glitchy and unpredictable experimental edges of- well, it’s hard to say where they’re from.

At times, it feels like we’re enjoying regularly structured synthpop, with the intro to “Now Forever” sounding initially like straight-laced lounge music that gradually gets more manic. “Fence Of Bats” has some English-language lyrics, but I still won’t pretend to have the vaguest clue what it’s about.

It’s not all crazy. Amimori’s academic compositional background is on display in the cultured small string ensemble piece “ReCircle” and the quirky, almost rom-com waltz of “ajabollamente”, which serve as a real palette-shifting mood changer after the album’s initial energetic flurry.

But once you’ve settled into expectations of traditional form and structure, along comes tracks like “Climb Downhill 2”, a weird acid squelch workout and an unfiltered revelry in squeaky sonics to shake everything back up again. “Washer” is also notable for its experimental electronics, the love of gradual pitch change that’s exhibited on several tracks playing out nicely here.

The album proceeds in this manner throughout, always throwing curveballs to keep you on your toes, clearly enjoying the capability of its own breadth and diversity- yet thankfully, as most of the tracks are above five minutes, it’s rather satisfying too, with most of the ideas explored up to the right length for their natural conclusion.

It’s odd, and arguably a little bit like showing off at times, but it’s also rather endearing and works well as an off-kilter and idiosyncratic offering from the very edge of what could be called pop.

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