Music Reviews

cover
Artist: Debashis Sinha
Title: The White Dog
Format: LP
Label: Establishment Records
Toronto-based percussionist Debashis Sinha here draws on his South Asian-Canadian cultural heritage, taking a broad variety of acoustic and organic percussive elements and drawing them out into expressive and experimental pieces that blend jazzier Asian musical sounds with longer, more Western avantgarde soundscaping models. It reworks material from a live concert and previous work in audiovisual projects and film scores, though unless you’re already familiar with the material you wouldn’t know it, though it does help explain the diverse and arguably disconnected breadth of the material.

While some tracks like opener “Empyrean” and closer “Reverie” are quite thickly layered, textured and fairly jazzy, other pieces like “entr acte” are decidedly minimal, showcasing the live freeform percussion work by accompanying it only with gentle hums.

The English-language poetry that cuts in on “Thrum” is something of a shock to the system and not necessarily a welcome one in terms of atmosphere and meaning, before it unfolds into a really rather pleasant and glitchy pulsing electronica affair with an infectious and underused bassline that is reminiscent of some The Orb tracks. “Harmonium Part III” takes a minimal techno form in tripped-out directions, a direction which is pursued deeper and to great effect in “Part IV” which is a mesmeric track but does feel like it has lost sight of this album’s initial root.

It’s certainly a unique recipe of sounds, perhaps a little disjointed and confused in purpose at times but certainly an intriguing journey of a listening experience.



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