Music Reviews

Artist: C.A.R.
Title: Pinned Down
Format: 12" vinyl + Download
Label: Ransom Note Records
The story so far: so after being very positive about Chloe Raunet’s album “Pinned” (““a blend of supremely confident post-punk swagger with electronica twiddles, steady-walking house beats and just a dash of synthwave”), I was equally keen, if not more so, on the first remix package “Pinned Up” (“not a single duff or flat remix in here, which is rare, so full marks for this one”). Now for stage three- the second remix album, milking a good album just that little bit further.

After the dancefloor-friendly offerings of the first remix album, this one is described as “an entirely different kettle of fish, taking Raunet’s compositions in a number of weird and wonderful directions”, and there’s some truth in that, but don’t expect utterly weird and wonderful reinterpretations- steady 4/4 house beats and DJ-friendly structures are still the order of the day almost without exception.

As with the first release, it’s the track “Daughters” that gets the lion’s share of the remixes, making up 50% of the 8 tracks here. Peaking Lights do a downtempo disco-dub number that sets the tone and remains quite faithful to the original song structure. Khidja’s remix stays on the same lines, taking vocal slices for a bit of percussive patterning and switching to a two-note bassline that underpins a nice slow evolution in sound over the nearly ten-minute-long mix. Kasra V places the vocal into a new melodic arrangement that’s broad and brooding, while Moon Temple’s approach is squelchier and more introspective.

Inbetween every “Daughters” remix there’s a reversion of a different track. Fantastic Twins’ take on “This City” is another downtempo long disco-dub version with some nice percussive touches. Anna Lann’s version of “Cholera” is in the same wheelhouse but somewhat rumblier and slightly more techno.

Hologram Teens’ remix of “Heat” revisits the mid-2000’s heyday of indie-rock crossover (think DFA, LCD Soundsystem et al) with the poppiest track of the set, while Sutja Gutierrez’s version of “Strange Ways” also has shades of that indie-rock-dance crossover atmosphere, still thoroughly respecting the vocal (until some final twists) over a marginally flat indie-band-does-disco groove.

The album has probably been milked well and truly dry by now, but not before this second package of solid, downtempo remixes was created. It’s a probably enjoyable 54-minute bundle of long version excursions that won’t set your heart alight, but is still a great mood-setter.

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