Music Reviews

Artist: Alameda Duo
Title: The Luminous Guitar Craft of Alameda Duo
Format: CD
Label: Instant Classic (@)
Rated: *****
This intense avant-folk release by Alameda, the project by Jakub "Kuba" Ziolek and his long-lasting collaborator and friend Mikolay Zielinski on guitar, is an awesome musical bridge between the so-called American folk primitivism and the obscure (but really luminous indeed) tradition of ancient Greek music, that Ziolek knew through Rafal Iwanski, who let him listen a tape "Music of Ancient Greece" (dating back 1946 and reissued after decades by Orata records) where Christodoulos Halaris, a sort of archeologist of composition, who tried to study and recover some old ethnic traditions (mostly the Greek and the Byzantine ones), tried to remove the dust away of some ancient Greek music, including the notorious Delphic hymns. The environment where Alameda recorded "The Luminous Guitar Craft of Alamada" in a couple of nights (in order to avoid distractions and dirty interferences of daytime) in an evangelical church in Bygoszcz, the native town of Jakub in the Nortwestern Poland, could have influenced the blissful nuance of the melodies, the virginal singing and the "spellbound" sound together with the link to Greek music (people who only know sirtaki could notice some resemblances with the sonorities of the popular dance in the first part of "Laurel" only!) and the myths they quoted through titles and lyrics (not only the Greek ones of Ate and Daphne - "Laurel" is the alternative name of Daphne as she got transformed into this notorious and scented tree according to the moving notorious myth -, but they also quoted the Norse one of Yore). I particularly appreciated the alternation of moments when the almost hypnotical "quotations" of Greek music prevail and the ones where they push those melodies into more modernist styles, as it happens, for instance, when they unleash a hectic tapping after the first five minutes of the opening "The Silver Chant of Ate" or when they let guitars fade out to give space to some evocative field recordings, wrapping the recitation by Tomasz Nosinski on "Ming".

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