Music Reviews

Artist: Hidden Reverse (@)
Title: Six Cases of Sleep Disorder
Format: CD
Label: Azoth
Rated: *****
Hidden Reverse, the name of this bicephalous project by Simon Balestrazzi (mostly known for his forerunning industrial project T.A.C., as most of our readers maybe know) and Massimo Olla - another appreciated artist of the experimental Italian scene -, could let you think of something related or referred to subliminal messages un-hidden by the reverse playing of some recordings. Well, it has nothing to do with this marketing gimmick by some bands, but it could somehow hit your subconscious. The source of inspiration, as you can easily guess, is the phenomenon of sleep disorders, but don't expect some therapy music or seemingly infinite bundles of narcoleptic ambient by these guys. Maybe fostered by the growingly notorious sleep concerts (Steve Stapleton's ones are a must), by a vast literature related to this interesting subject (eg.Jonathan Coe's "The House of Sleep") or by the narcolepsy or the sleeplessness (depending on individual reaction) often induced/inspired by sluggish cultural debates or by the the demeaning political and economic situation, the sleep, its deprivation or its disorders could be considered parts of a hot topic. More than narcolepsy or insomnia, Hidden Reverse creatures could inspire or induce nightmares, considering the matter Simon and Massimo focused on. A title like "Fatal Familial Insomnia" for the opening song, but above all its rising psychotic torsions, could let you think of some dreadful familiar dreadful crimes about parents, turned into killers by traumatic events reawakened by an infant's wailing or by stress. The slightly distorted barking and the siren-like crying are just some nightmarish entities resurfacing from the dumb drone-like movement of the following "Night Terrors", preceding the claustrophobic stealthy steps of "In That Liminal Space" and the scary "Obstructive Sleep Apnea", the track where Simon and Massimo get closer to that branch of industrial music, drawing inspiration from soundtracks of horror movies of the 70ies. The two raving minutes of "One More White Night" in between effete and hectic emotionality as well as the final "Entering The Empire of The Sleepless" let you guess they tried to follow a sort of plot in the sequence of tracks, that testify the amazing (and thrilling) chances of interaction between Simon's freaky entities and Massimo's creatures on his [d]Ronin tools.

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