Music Reviews

Artist: X-Navi:Et (@)
Title: Machina Nova
Format: CD
Label: Beast Of Prey / Eter Records (@)
Rated: *****
Co-produced by Beast Of Prey and Eter, this output by Rafal Iwanski (one of the main voices of HATI collective) side-project X-Navi:Et actually includes a new release ("Machina Nova") and a re-release ("Vox Paradox", previously on tape only). The level of visionary mysticism is higher like Iwanski's previous release, but the sound of X-Navi:Et on Machina Nova gets closer to the one of HATI. The key words to understand both the style, where Rafal wonderfully melts drone-like simple melodies, generated tones that envelop listeners in its pensive halo, ethnic instruments and percussions that constantly evoke something atavistic, as well as its spiritual ciphers can be caught in the title. The 'Machina Nova' (new machine, seemingly mirroring the obscure elegance of the disquieting 'Machina' on the attached album 'Vox Paradox') that Rafal seems to describe by means of sounds an almost mechanical process, where humans are unaware or unsuspecting gears, gradually leading to a regression to forgotten deities and beliefs, a sort of "new primitivism", quoted in the awesome track that follows the opening title-track. The mystical tension and hypnotical hooks of each track are almost palpable: the sneaking violin by Anna Zielinska (resembling Eastern folk music) over a thundering march and the surprising final where the surrounding melody of the first minutes gets played backwards, the chirping Shanti chimes rendering a seducing maze of crystals on "Pseudo", the abrasive sonic flaking around the hypnotical phrasing of the hulusi on "Weltschmerz" are just parts of the process leading to the catharsis of the final "Fiasko". "Vox Paradox" on the second half of the release sounds the specular and more tormented image of "Machina Nova" and each step of the process (every single track) doesn't really bring to a sort of liberation, but to the resolution of a more or less vague anxiety pervading the whole artifact.

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