moniker of the sonic practitioner and composer Elías Merino.
Grisaille, his release for E/C, adopts a varied approach to the
pattern of emergence within Merino’s work. These seven recordings
present not only electronic, but mostly instrumental trajectories,
whose densities are unfolded through a huge collection of music
performers. migration cinema creates a situation for the musicians in
which they navigate a resonant and responsive compositional space,
while the space itself is treated as a plastic medium.
Grisaille suggests an unconventional view of chamber and
instrumental contemporary music from a culture alien in both space and
time, heard through the filter or sieve of Iannis Xenakis’
architectural and physical approach to sound. Alternating between
opacity and translucence, monochrome and colour, Grisaille conjures a
spectral palette reminiscent of Fredrich Cerha, but with an approach
to instrumental hybridisation closer to the electroacoustic worlds of
Ana Maria Avram and Iancu Dumitrescu.
Grisaille was written,
recorded, and produced by Elías Merino between 2013 and 2016 in Spain
and England, and includes across its seven tracks more than 24
performers and a choir. All the instrumentation has been scored and
orchestrated through computer music methodologies such as algorithmic
and generative systems. Grisaille swims into hybrid spaces from
acoustic reverberations captured by the artist itself at Notre-Dame de
Paris (Paris, France), Basilica di Sant'Eustachio, (Rome, Italy), and
Eglise St. Laurent, (Marseilles, France).