Dec 112013
 
S.E.T.I. Final Trajectory PAS 35
The new album of Andrew Lagowski’s S.E.T.I. begins as a colossal sound wall, like a massive electrical transformer, out of which analogue and digital synthesizer sounds and samples emerge, condense, and crossfade into a deep ambient symphony. The recordings and textures produced over 30 years from 1983-2013 converge in ‘Final Trajectory’ to produce a collection of monolithic sounds. Invoking a sense of immensity with warm and dark atmospheric loops sounding distant and abandoned in a vast wilderness, battling against galactic winds. S.E.T.I. sets the listener down in this wilderness as an isolated observer; a witness to long intertwining drones, shattered dialogue and broken transmissions, with superior effects chains and a gentle rising dramaturgy forcing the complete album to an astonishing pure data vortex.

As the Voyager spacecraft reaches the outer edge of our Solar System it is a fitting time to imagine the exodus from Earth of the last human being on their final trajectory towards an unknown future. There has been little effort made to prepare psychologically for this one way trip and hallucinatory voices and sounds flit around the traveller, mingling with those of the craft’s entertainment, propulsion and life support systems. Life memories, encounters and events break through the cracks of rational thought like dream fragments, in bursts of barely unrecognisable data. As the craft passes through the mid point of our planetary system on its way out, the occupant thinks they hear a message being transmitted from Earth on the permanently scanning radio receiver.….

Will this be real in our lifetimes? Is the craft being built already in the knowledge that we have little time left on this planet?

If so, where to next?

———
 
NORTHAUNT / SVARTSINN The Borrowed World PAS 34
 
Inspired by Cormac Mc Carthy´s novel ‘The Road’, the two Norwegian masterminds Haerleif Langas and Jan Roger Petterson joined forces to create this stunning split album. This release brings finally new recordings since Northaunt´s ‘Horizon’ from 2006 and Svartsinn´s ‘Elegies for the End’ from 2009 (both CDs released on Cyclic Law).

‘The Borrowed World’ is the soundtrack for a world in decay, directed by the emotive and grandly melancholic signature of both projects. This is isolationist ambient music that unfolds its meditative atmosphere with majestic and melodic waves of droning sounds, environmental field recordings from the icy landscapes of the deepest North and magnificent Cello recordings of Amund Ulvestad.

The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from it’s shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.