A RETURN FOR INDUSTRIAL???
Much has changed in industrial since the sudden death of Skinny Puppy. The title then went to then-newcomers Haujobb, who quickly turned to a more drum/bass style. The same with Gridlock. Soon thereafter, it's like the industrial genre quietly went back to it's little corner, lacking a champion of any sort, and the blurring line between it and techno in the media. Also wounded from the new NIN and by MTV bubblegum-industrial like Marilyn Manson,Gravity Kills, and Stabbing Westward, it's time may be yet to come back.
As much as we all love synthpop and the expermiental side of techno (Haujobb's best works were dabbling in it),and the so-called Future Pop, it still lacks a substance that relates to us all in this post-Sept. 11th era (outside of VNV Nation, who is definitely not pop by any measure) of insecurity. Dancing the night away to a drum sequence just won't make the problem any better, as it makes a mockery of it. No matter how much X we take and techno we dance to, the problems need to be addressed. Industrial is confrational,steeped in punk asthetic at it's core. With the official reunification of Skinny Puppy, and the success of newcomers Dismantled, it's comeback may well be reality, and a breadwinner won in young Gary Zon.
Even the success of Bill Leeb's Delerium may make the Starbuck's/Border's group it garners go "hey if this is just a project,imagine their main group!", and start to realize the classics. And by all means, let us welcome back Controlled Bleeding! Even at some clubs I have heard Suicide Commando and Kevorkian Death Cycle played. We also can't forget the industrial influence in Diary of Dreams, Haujobb, and Funker Vogt. And last year Front 242 played one of the largest concerts in Chicago history, very fucking well proving industrail is never dead. And don't forget KMFDM, of course, or the powerful acts Oneroid Psychosis and Android Lust. So, who knows..............
