Jan 192019
 
Dunkelheit Productions is proud to
present the new, epic 25-minute release from Lousberg, "The Death Of
Humanity;" a dark ambient masterpiece. 
For fans of: Raison
d'etre, Klaus Schulze & Brian Eno

"The Death Of Humanity"
will be available in vinyl edition mid-February.

The CD and
digital editions are available NOW at:
https://dunkelheitprod.bandcamp.com/.

With “The Death Of
Humanity,” Lousberg achieves what most composers fail to do so in a
lifetime, much less a career. Transcending styles of dark ambient and
dungeon synth, Lousberg is responsible for the merger of worlds; both
specific and abstract. Intensely contemplative, “The Death Of
Humanity” offers itself as an existential soundtrack.

Stream
the album in its entirely
at:
https://www.youtube.com/watch?v=qASXNZCwLbk&t=23s

Lousberg guides a select few textures through landscapes both
subterranean and otherworldly, somehow molding them as one in a 25
minute epic composition. Essentially, “The Death Of Humanity”
exists somewhere between heaven and earth; between the universe and
darkest corner of a remote location of the listener’s room. Warm,
low tones merged with high, cold planes. Through cavernous landscapes
and perpetual colonnades. Through timeless loneliness and endless
emotional collapse, what Lousberg creates is both intensely human and
otherworldly.

Lousberg gives soundtrack to previously
unchartered parts of the soul. Is this this “The Death Of
Humanity” or an “imitation of life?”

Founded in the year
2007 as a brain child of JanuZ (aka BinZynisch fka Lupan), Lousberg
was born with the ambition was to create a project which is free from
the word "genre."

2013 was the year of the first official
release! It was a Split CD with Austrians "Uruk Hai", and consisted of
a mixture between nature inspired Ambient with folk influences
peppered in. A Tape with the name "Lurid Dreams Of A Forgotten",
released under the own small label, followed a short while after. This
and the following release "The Fog Beneath My Feet" under the
well-known label "Dunkelheit Productions" aimed for the Dark Ambience
domain, the latter one with significant ritualistic influences.

Lousberg will never follow any course which can easily be
predetermined by anyone! Lousberg is – like live and the death –
unforeseeable! Lousberg isn't a courtesy. Lousberg is just an
emotion!

Marc Urselli

www.marcurselli.com
info@marcurselli.com
+1 (917) 470 1170

 www.facebook.com/marcurselli
 www.linkedin.com/in/marcurselli
 www.myspace.com/marcurselli
 www.twitter.com/marcurselli
Other sites by Marc Urselli:
LIVE MUSIC in NYC: LIVE www.marcurselli.com/live
FOOD AROUND THE WORLD: www.marcurselli.com/food
WIND for KITESURFERS: www.marcurselli.com/wind
EASTSIDE SOUND STUDIOS: www.eastsidesound.com
EXPERIMENTAL MUSIC MAGAZINE: www.chaindlk.com

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Thank you.

Jan 192019
 
 

 

Paulina Cassidy: Phantom Gardens
Available from Projekt website / Bandcamp


Dreampop, swirling atmospheric, and luscious fairytale-like dreams…

“Both earthly and ethereal, her music, lyrics and images guide us through an alluring world that seems strange yet familiar, distant but as close as your heart. The veil of the dreamworld is near; the Eternal Feminine is calling.” -Steve Davis, Associate Producer HEARTS OF SPACE Radio Program

Paulina returns with a new album of sensuous, mesmerizing atmospheric compositions to reinvigorate the jaded soul. Using her sultry voice as an ethereal instrument in combination with fluidly-layered otherworldly soundscapes, Phantom Gardens draws the listener into a fantastic world of fairytale-like dreams. Ethereal whispers, synths, samples and electronic beats are pure poetry for your fascination and delight.

We first met Paulina Cassidy with her hypnotic version of “Frosty the Snowman” on Projekt’s 2012 Ornamental holiday sampler. In 2014, we were given Sugar Wingshiver, a full album of whimsical and lushly-textured songs. 2018 brought Drawing Up A Storm, an album of aqueous melodies.

Fruitful with a circuitry of reflective ambient tracks and ethereal dreampop, Phantom Gardens entices the listener into a landscape of lush celestial gardens sprawling from the borderlines of dreams. Connect with the minds of ghostly orchids and fly away with flowering sylphs. Glide through galactic gardens of starlight and slip into the underworld with a kingsnake. Fusing melancholy resonances of earthly and spiritual realms, the thirteen songs of Phantom Gardens are hauntingly graceful and serene, conjuring a personal haven in which to unwind, renew, and recharge.

Born in Ontario, Canada, Paulina paints, writes, and crafts songs from her home studio in Chattanooga, Tennessee. Creatress of tarot and oracle card decks, Paulina always has something new in-the-works. Her audio catalogue also includes four self-released CDs, an holiday EP Projekt release, and two full-album Projekt releases. Visit her website at: www.paulina.ws

Marc Urselli

www.marcurselli.com
info@marcurselli.com
+1 (917) 470 1170

 www.facebook.com/marcurselli
 www.linkedin.com/in/marcurselli
 www.myspace.com/marcurselli
 www.twitter.com/marcurselli
Other sites by Marc Urselli:
LIVE MUSIC in NYC: LIVE www.marcurselli.com/live
FOOD AROUND THE WORLD: www.marcurselli.com/food
WIND for KITESURFERS: www.marcurselli.com/wind
EASTSIDE SOUND STUDIOS: www.eastsidesound.com
EXPERIMENTAL MUSIC MAGAZINE: www.chaindlk.com

This is a private email address, please do NOT add this email to ANY mailing list without consent!
Please do not print this message. Save paper, save trees, save the environment.
Thank you.

Jan 132019
 
Israeli darkwave/electronic artist
LIYA is pleased to announce the release of her new digital EP,
LISTEN.
For fans of: The Birthday Massacre & Depeche
Mode
LIYA TREBITCH is a singer/songwriter from Tel-Aviv,
Israel.

From playing the piano and composing since the age of
5, LIYA started making electronic music at the age of 23. Inspired by
new wave, synthpop, darkwave and industrial, her music has deep, dark
melodies that take you out of your ordinary world. She has also
performed extensively throughout Europe and Israel with DJ Yahel while
working on her own material.

Now presenting her debut EP
"Listen" on Blind Mice Productions, LIYA is a must-hear for fans of
the gripping, nostalgic intimacy of THE BIRTHDAY MASSACRE to the
synth-heavy compositions of DEPECHE MODE.

For more
information:
https://blindmiceproductions.bandcamp.com/album/listen
https://www.facebook.com/Liyamusicofficial/

Marc Urselli

www.marcurselli.com
info@marcurselli.com
+1 (917) 470 1170

 www.facebook.com/marcurselli
 www.linkedin.com/in/marcurselli
 www.myspace.com/marcurselli
 www.twitter.com/marcurselli
Other sites by Marc Urselli:
LIVE MUSIC in NYC: LIVE www.marcurselli.com/live
FOOD AROUND THE WORLD: www.marcurselli.com/food
WIND for KITESURFERS: www.marcurselli.com/wind
EASTSIDE SOUND STUDIOS: www.eastsidesound.com
EXPERIMENTAL MUSIC MAGAZINE: www.chaindlk.com

This is a private email address, please do NOT add this email to ANY mailing list without consent!
Please do not print this message. Save paper, save trees, save the environment.
Thank you.

Jan 122019
 
JOZEF VAN WISSEM & JIM JARMUSCH ANNOUNCE
AN ATTEMPT TO DRAW ASIDE THE VEIL
THEIR SECOND COLLABORATIVE LP FOR SACRED BONES RECORDS
OUT FEBRUARY 8, 2019
LISTEN TO “CONCERNING THE WHITE HORSE” HERE

Experimental lute player Jozef Van Wissem and acclaimed film director and musician Jim Jarmusch have a working relationship that dates back to 2006, when they ran into each other on the street in New York City and quickly struck up a friendship. Van Wissem contributed to the soundtrack for Jarmusch’s 2013 movie Only Lovers Left Alive, and the two have collaborated on three previous studio albums — ApokatastasisConcerning the Entrance Into Eternity, and The Mystery of HeavenAn Attempt to Draw Aside the Veil is their second release as a duo for Sacred Bones Records, following The Mystery of Heaven, and its narrative picks up where that album left off.Like The Mystery of HeavenAn Attempt to Draw Aside the Veil delves into the theology of William Blakeand Emanuel Swedenborg, this time also exploring the work of Russian occultist and philosopher Helena Blavatsky. The album is mostly instrumental, so the dialogue between the esoteric thinkers who inspired it and Van Wissem and Jarmusch is expressed primarily in the song titles — fittingly arcane phrases like “Concerning the White Horse,” “The Two Paths,” “When the Sun Rises Do You Not See A Round Disc of Fire.”Musically, the album finds much of its power in minimalism. Van Wissem’s lute traces the outlines of subdued electronics and ominous guitar drones laid down by Jarmusch. It’s a subtle album, and repeat listens reveal vast depths in its dark corners. Above all, it’s an album that sees two formidable collaborators complement each other brilliantly.An Attempt To Draw Aside The Veil is another adventure with Jozef into the realm of vibrating strings and the dreamlike musical textures of darkness and light,” Jarmusch said of the album.“It was a real pleasure to collaborate with Jozef once again.”
Listen: Jozef Van Wissem & Jim Jarmusch  – “Concerning The White Horse”
https://www.youtube.com/watch?v=p7oDONy8QXM&feature=youtu.be Pre-Order: Jozef Van Wissem & Jim Jarmusch – An Attempt to Draw Aside the Veil
https://www.sacredbonesrecords.com/products/sbr218-jozef-van-wissem-jim-jarmusch-an-attempt-to-draw-aside-the-veilBandcamp: Jozef Van Wissem & Jim Jarmusch – An Attempt to Draw Aside the Veil
https://jozefandjim.bandcamp.com/album/an-attempt-to-draw-aside-the-veil



   Jozef Van Wissem & Jim Jarmusch
An Attempt to Draw Aside the Veil
Sacred Bones Records
February 8, 2019
LP / CD / Digital


1. Concerning the White Horse
2. Dark Matter
3. The Unclouded Day
4. The Two Paths
5. Lost Continent
6. Final Initiation
7. When the Sun Rises Do You Not See a Round Disc of Fire

Jan 122019
 

Spheric Music presents the new release 

Rudolf Heimann „Die Unendlichkeit des Augenblicks“

Spheric Music SMCD 8306
Release Date: February 1st, 2019

EAN-Code: 4260107470854                    Distribution:  H’Art Musikvertrieb           www.hart.de

Style: Cinematic Electronic 

Die Unendlichkeit des Augenblicks = The Infinity of the Moment

Does God exist? What is infinity? Rudolf Heimann will not answer these fundamental questions for us. But he invites us to pose them and to ponder with them by taking us on a fascinating musical and spiritual journey. “Wem die Stunde schlägt” (For Whom the Bell Tolls) or “Ad Infinitum” encourage us to question the very meaning of life.

Heimann carefully reinterprets the relevance of ancient Christian ideas in contemporary life and society, importantly however, entirely without taking sides.

On his last track “Rede des toten Christus vom Weltgebäude herab, dass kein Gott sei” (30 min.), Heimann goes even further. Set to a lyric crafted in 1797 by German Romanticist Jean Paul and narrated by Roland Paroth, he readily enables us to rediscover our own world of dreams and fantasies. Can we be sure about reality? How can we grasp the eternal?

In this new musical adventure, Heimann takes his signature style to the next level, blending Berlin School synthesizer music with orchestral film score elements in unique and creative ways. Carefully weaving natural instrument sounds such as acoustic guitar, cello and church organ together with thick synthetic sound layers, and occasionally adding surprising rock and spiritual elements (“Niemand kennt Zeit noch Stunde“), Heimann invites us to travel through a rich and ever evolving landscape of sound. Enjoy listening!

Einzeltitel / The tracks:

1. Wem die Stunde schlägt 6:48

2. Ad Infinitum 3:34

3. Monolith 3:54

4. Vanitas 7:45

5. Niemand kennt Zeit noch Stunde 4:50

6. Ewigkeit 9:26

7. Rede des toten Christus vom Weltgebäude herab, dass kein Gott sei 32:02

audio samples: https://youtu.be/8QwX5YIghaQ